(c) Rabbi Menachem Creditor
Nefesh HaChayim (1:8): The sages asked, "How were the cherubs above the Ark of the Covenant situated?"1 Rabbi Yochanan and Rabbi Elazar disagreed. One said that the cherubs faced each other and one said they faced outward. One cherub represented the Holy Blessed One and the second cherub represented Israel, God's beloved. How intimate Israel was with the Holy Blessed One was miraculously revealed in the cherubs' postures. When the people of Israel rebelled against the will of God, the cherubs would turn away from each other; when Israel was faithful to God, they would face each other."
Our sages of blessed memory said2 that "they would pull aside the curtain that divided off the Holy of Holies for those who made the pilgrimage to Jerusalem for the three holidays, and showed them the cherubs who were intertwined one with the other, and said to them, 'observe the affection that God has for you!'"
Comment: While there are those today who can only see the the Jerusalem Temple through the prism of geopolitics, this text invites the reader back to a time when intimacy with the Divine was believed to be discernible in a particular place, at a particular time, through particular rituals. Pause for a moment, orget all you know and believe, and envision that human intimacy with God can be manifest in the erotic coupling of angels. Furthermore, Cherubs are not the "dimpled darlings of Renaissance painting"3 - they are fierce divine creatures. Our relationship with the Divine is portrayed as a fierce, sensual union in these texts.
Whereas, as Avivah Zornberg teaches, Jewish journeys contain a Divine imperative that "articulates and emphasizes displacement as its crucial experience,"4 they also portray God, even closer than our shadows, as an intimate partner. Perhaps we must first lose our ways in order to truly find our sacred homes.
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Notes:
1) Babylonian Talmud, Bava Batra 99a
2) Babylonian Talmud, Yoma 54a
3) Robert Alter, "The Book of Psalms", p. 54, n.11
4) Avivah Zornberg, "Genesis: The Beginnings of Desire", p.74






